Heeb Redesigns Website: JDub Folds. Coincidence?
excerpted from Heeb Redesigns Website: JDub Folds. Coincidence? on jewlicious.com:
Last week Heeb Magazine unveiled their newly redesigned Web site. Shortly thereafter, fellow Natan Grant recipients JDub Records announced that they were winding down for “financial reasons”. Coincidence? I don’t know…
At this point there are a few people trying to analyze what went wrong with JDub. Meetings are being planned, courses of action are being determined and yet few people, besides the JDub Board members and some insiders, know exactly what went wrong. I mean, based on the numbers JDub released in their announcement, they were doing some spectacular work.
… And yet? Here we are. Now that a day has passed since the announcement, some more critical commentary is coming out. In an article titled “Broken Business Models in “Non-Profit” Start-ups; Case Study: JDub,” Jacob Ner-David concludes that “Bottom line: if a venture is delivering bang for a buck (or a shekel), it will be sustainable. It’s up to us entrepreneurs to figure out how.” Also on eJP, Ruthie Warshenbrot asks some very salient questions: “Was arts & culture programming actually a good entry-point to Jewish life, especially for young adults?” “If arts & culture wasn’t the way to go – and there are many ways to read JDub’s numbers, and its closing … what is the way to reach Jews in their 20’s and 30’s after all?” “Will this make the Jewish community question its commitment to “innovation” and “social entrepreneurship” …?” Warshenbrot notes that JDub got community buy-in and support from practically every single Jewish Foundation and Federation out there. They had been featured in every single edition of Slingshot to date. Will JDub’s funders be pissed off? Will they feel they got sold a bill of goods? Matthew Ackerman in Commentary urges us to Shed No Tears for the Death of JDUB:
As the initial promoter of Matisyahu and with a record that included attracting 150,000 young people to events in 472 cities, JDUB seemed to stand as the most successful organization, at least among those with a creative bent. Typical also was JDUB’s claim it could “forge vibrant connections to Judaism” for a population with anything but. Of course, dodged entirely was the question of what was specifically “Jewish” about attending a rock concert, even if the performer wore payes. Also left unaddressed was the long-term sustainability of such a loosely defined Jewish identity.
Of course, JDub has accomplished a lot more than just promote Matisyahu. But Ackerman writes for Commentary. They’re old. What do they know. Certainly here at Jewlicious we’ve made great use of JDub artists, from Matisyahu, to SoCalled, to Soulico, arts and culture JDub style has always been a cornerstone of our Jewlicious Festivals. The difference is that the fun, cultural expressions of Judaism we present are done in the context of a complete and immersive experience that includes a plurality of substantial Jewish experiences. Sure we party, but we also offer various speakers, learning and skill sessions, contact with writers, artists and a multi-denominational crew of Rabbis and activists. Why are we not flush with cash? Well, after 7 years and countless successful programs (including this blog) many still see us as a sophisticated Orthodox Kiruv movement. Just as an aside, I’d like to add a hearty “**** ***!” to those ignoramuses that still think that because we include Orthodox Jews, we’re all about Kiruv. Next time you come to a Jewlicious Festival, join the Reform Minyan for services and stick your Orthodox kiruv where the sun don’t shine.
But I digress. Yesterday I spoke to 2 Birthright Israel groups, 80 young American Jews in all. I asked them for their thoughts on the closing of JDub and the unknown future of Jewcy. They were exactly the target demographic that JDub was supposed to be forging vibrant Jewish connections with. Of the 80, only 3 had ever heard of JDub and 6 had heard of Jewcy. I guarantee you that if 60 or even 40 or even 30 had answered in the affirmative when asked if they knew what JDub/Jewcy was, we would not be having this conversation. Just for the sake of balance only 11 had heard of Jewlicious (but we do have only a tiny fraction of their budget). The point is that maybe JDub failed because it, well, essentially failed. People just weren’t buying what they were selling in sufficient numbers. It’s that simple. Or maybe Heeb’s new web site killed them. What do I know.
Having said all that, I’d like to wish all the JDub community the best of luck in all their future endeavors. Despite everything, JDub did a great job expanding the conversation about the evolution of Jewish Identity in North America. Aron Bisman is an extremely talented and passionate guy and I know that this will not be the last we hear from him. You can’t contain that kind of passion!
Here are additional responses to JDub Closing Up Shop.